It is almost impossible to collect Quimper pottery without developing an appreciation for Breton (and other) costumes ... the figures on the various pieces serve as references for the costumes of different areas at different eras. So it is not surprising that the pièce de résistance at a pottery auction last weekend was a costume, and in fact, it was the costume whose details are on the cover of the catalogue for that sale.
As I noted in my previous blog, this costume is thought to be the oldest dated example of a Breton garment. It is black heavy felted wool, with red embroidery, including the buttons and dated 1811 - it would have been a special order for a well-off Breton. Costume collectors are as fierce faience collectors: the estimation fo the costume was 1200-1500 euros, but the bidding shot up to 5000 euros in pretty short order. At that point, there was a pause while an absent bidder was tracked down on the phone, after which the bidding climbed to the final gavel price of 6000 euros (to which a buyer's fee of 19% must be added!). This piece made yesterday's paper, including a comment from the auctioneer that the jacket will remain in France.
For all of its historical significance, the black jacket is extremely sober, too much so for my personal taste.
On the other hand, this bridal costume (of which the back is shown here) of Plogonnec (west of Quimper) from about 1880 is full of color and texture, including wool, ribbons, embroidered lace, and glass beads. It sold for 1500 euros, and it is stunning!
In wool, from the beginning of the 20th century, gavel price 300 euros.
During the exhibit, I asked the costume expert which one he personally preferred - he told me that it was this one:
He said he liked it because it was a complete costume of the wife of a craftsman of Quimperlé (east of Quimper), and it gives clues to the lifestyle of the wearer. One can see the social standing of the lady by the elegant touches on her dress. The color of the black is a bronzed shade that would have cost more money to dye. There is black velvet edging her pockets as well as her sleeves and the back of the top of the dress. The quality of the fabric is another indicator of her economic class, and the quality is such that over 100 years later, the costume is in excellent condition.
Actually, one thing that amazes me is how good the condition of many of the costumes were. Some were undoubtedly specially preserved by families (particularly wedding costumes, I would think), but even so, you have to start with a good product to be able to keep it good for 100+ years.
We're linking this post of Judy's to "A Few Of My Favourites Things Saturdays" meme held by Laurie each week, on her blog entitled: Bargain Hunting and Chatting with Laurie. I think Laurie has a soft spot for Quimper although we haven't yet persuaded her to join QCI.
Please go over and visit with her & tell her all the good reasons why she would enjoy our group.
What made these pieces special however were the intricate border decorations, inspired by the embroidery used to embellish costumes such as those worn by the participants in the Fête des Brodeuses.
