The Texas French Embassy By Sarah

It's Outdoor Wednesday with Susan @ Southern Daydreamer. Come with me through the bustling downtown streets of Austin, TX to a quiet hilltop that overlooks our state capitol.

As we walk through the gates of this old estate, we learn that this home was originally built as the Légation de la République Française during the time when Texas was a Republic.

It was constructed in 1840-1841 as the place of residence for Alphonse Dubois, a young French diplomat, sent to the Republic of Texas to represent the government of King Louis Philippe of France.

French Legation in Texas

The French Legation, built in the Anglo-French style, was restored in the 1950s by the Daughters of the Republic of Texas. Click here to read an interesting account of Dubois de Saligny and his brief time in Austin.

Nestled on a hilltop east of the downtown business district, the French Legation has a protected view of the state capitol.

The structure is the oldest wood frame home in the city and is furnished with items original to its time period.

This little clump of red lilies were all that remained blooming in a flower bed that must have been awash in vibrant color just days before.

There are two of these boxwood maze gardens, one on either side of the main house.

The expanse of rolling lawn is a favorite spot for families to picnic.

The original dirt floor kitchen to the property was destroyed by a fire in 1880. This structure was built in the 1950 restoration of the property and is situated where the original hearth's foundations were discovered. I know this is Outdoor Wednesday, but there is pottery in this building. French pottery! I have to take you inside to get a peek.

The kitchen has an extensive collection of antique French kitchenware, but we'll just focus on the pottery.

Yes, there is even a shelf of Quimper and Malicorne.

As you can see, these two plates are marked HR Quimper. Below are four Malicorne Plates.

The four plates to follow are all French, but all unmarked. If anyone has knowledge of where these may have been produced, please let us know.

This collection of plates is also all French, again unmarked pieces.

This Chinoiserie motif was one of my favorites as were the following two painted in Delft Blue.

Well, I hope you enjoyed our brief outing to the French Embassy of Texas. More information and photos of this property and its history can be found at http://www.frenchlegationmuseum.org/

Click here to go over to Southern Daydreamer to see more Outdoor Wednesday outings.

A Quimper love affair........or when Yann met Louisik.

The history, traditions and romance of Brittany are just a few of the many reasons that collectors of French faience are drawn to Quimper pottery.

Today we are sharing this pretty mosaic of Porquier Beau plates featuring young Breton couples who are about to get engaged, are engaged, or just married with Mary @ Little Red House and her Mosaic Monday affair.

Romantic scenes of young love, betrothals and weddings have adorned Quimper faience for decades and are very collectible.

Judy D (QCI member and ex Madame Prez) has recently launched her new blog jdbeads.
Click here to read about one of her beautiful creations, an épingle de pardon and the Breton tradition of romance that it embodies.

Regular visitors to this blog will know that the hosts of the QCI Annual meeting in Dallas next month are organising a Charity Auction to benefit Operation Smile and Judy has very generously offered an épingle de pardon to be included in the auction.

Judy is also the voice of newlyweds Yann & Louisik on the QCI’s Facebook page.
Click here to follow them as they travel around France on their honeymoon.

They were recently in Normandy and made an ungracious comment about “everything being covered with cream”. Now, what’s wrong with that?

Last I heard they were heading south to Basque country, they are really getting around.

à bien tôt
Maggie

The French Connection

Susan and Sarah, Co-chairs of the QCI 10th Anniversary Meeting

Since the 1680s there has always been a bit of French influence in Texas, and believe me there is no shortage of Francophiles living in this state. QCI is set to celebrate its 10th Anniversary Meeting this year as members gather in Dallas, TX, October 21-25 for this exciting event.
Four fun-filled days are planned: from the traditional "Meet and Greet" the night of arrival, to art filled days and antique shopping, to intimate visits of private faience collections, to the annual meeting, faience sale, and farewell banquet with lively auction.

Co-founders, Lucy and Katie, at the First QCI Meeting in Santa Monica, CA 1999

On Friday, four Dallas members will open their homes and share the unique charm of their individual collections. Members will see beautiful Quimper as well as pieces of Malicorne, CA, and much more.

Midday, attendees will enjoy the ambiance of one member's lovely home and gardens and picnic amongst a charming collection of Porquier Beau. Guest speakers will present informal presentations on "The Art of the French Table" and "The Biniou and Bombarde and Quimper Faience." Click here to visit French Affaires, a web site and weekly newsletter of one of our Friday speakers.

French Members and Professional Auctioneers Lend a Hand

for a Charity Auction at a Previous QCI Annual Meeting

The 10th Anniversary Annual Meeting will get underway Saturday morning. Club member and renown author, Millicent M, will present on "Breton Folk Tales on Quimper Plates by Alfred Beau" and club member, Anne S will present on "France, the Two World Wars, and Quimper Faience."

Both of these informative and photo filled presentations will relate to the fine faience collection that members will tour on Sunday morning after a delightful brunch hosted by Pierre Deux. Brunch will also include a talk on "The Textiles of Provence" and private shopping opportunity at Pierre Deux's beautiful shop in the Dallas Design Center.

Miniature of the Eiffel Tower in Paris, Texas

There is still time to register for this exciting meeting.

Registration forms must be post marked by September 25 to avoid a late registration fee, and in order to receive the QCI group discount of $129 per night/double, hotel reservations must be made by September 30.

Meeting details, airport shuttle and taxi information and a list of restaurants close to the hotel can all be found on the Members Only page of the QCI web site.

If you are not yet a member of QCI, we welcome new members. See the sidebar for a special offer for new members. We'd love to see you in Dallas!

Fête de la Musique by Adela Meadows. (Reprise)

A little while ago Chari @ Happy to Design had an idea to host a get together on Sundays dedicated to a "re-run" of a favorite blog post!

She describes it thus:
"Sunday Favorites" is designed to give bloggers an opportunity to share, once again, one of their favorite posts! I just love this idea!!! So many fabulous posts have been published...and regrettably, forgotten about...they have been buried under a myriad of previous posts. I just believe these fabulous posts deserve a second showing!!! In light of that, I thought it would be fun to do a brand new Sunday meme..."Sunday Favorites"...where we can repost a favorite! Many of you have been blogging for years and you have published some really great posts...it would be so nice to share them again!"



Here at the QCI Blog we have been thrilled in recent weeks to receive record numbers of visitors all wanting to know a little more about the fascinating subject of Quimper pottery.
So for those who missed it the first time around, I have decided to include the post "Fête de la Musique" written during the summer by Quimper author and expert Adela Meadows, in Chari's "Sunday Favourites" today.
Next month at the 10th Annual Meeting of the QCI guest speaker Kathleen T will give a presentation on the “Biniou and Bombarde and Quimper faience” and the autumn edition of the Journal will feature faience with a musical theme.

Apologies if you saw it back in June, but I think you might agree it is well worth another outing.
à bien tôt
Maggie.

This is Adela's post..........................

Each year, June 21 marks the summer solstice for the northern hemisphere. The word “solstice” comes from “sol”, the first syllable of the French soleil or sun, and the Latin stare, meaning “to stop.” It’s the longest day of the year in these parts…a day when the sun seems to stop in sky.

We know now that the sun doesn’t move and it’s more a matter of the earth being at its greatest tilt…towards the sun for the northern hemisphere and away from the sun in the southern hemisphere…resulting in winter is Australia when it’s summer in France.

But to the ancient Celts, the sun did stop on that day, so it led to ceremonies in honor of Belen…the Sun God, God of Fire, and God of Light. It was a time of penitence…as usual…but more exuberantly, a time for joyous assembly with sporting games, music, and dancing.


The sun peeks out from behind the lion mouth spigot of this circa 1885 HB piece; part of the medicinal and pharmaceutical items made in Quimper, the form is called a broc à lavement and was used to perform an enema.

In 1982, Jack Lang, then the French Minister of Culture, decided the summer solstice would be a great day to celebrate all things musical; his idea grew and today, in more than 100 countries, June 21 is ingrained as the Fête de la Musique. It’s a major happening in the environs of Paris; public transportation runs all night, all the events are free, and they are held in every imaginable place…from isolated street corners to the courtyards of lofty museums. All night long, music fills the air!

Quimper faïence musical instruments fill a display case at a grand retrospective that was held in 1990 at Quimper’s Musée des Beaux-Arts.

Throughout France, the Fête de la Musique is an event that blends all genres of music…classical to punk…symphonic to electronic…emanating from amateurs and professionals alike. Everywhere you turn there are guitars, drums, accordions, pianos, violins, cellos…every imaginable instrument…even in Brittany…although the region’s emblematic musical instruments are the biniou and the bombarde.


The word biniou is Breton for bagpipe…the instrument is called a cornemuse in French. There are several different varieties…the most widely used in Brittany is a version very similar to the Grand Highland Pipes of Scotland.

Some depictions of binious:

An HB Quimper bookend from circa 1930.

An HB Quimper box from circa 1925.

A carved wooden hare plays the biniou…part of the decorative accents on a fifteenth-sixteenth century building in Malestroit.

An Henriot egg cup with a biniou-form base.

An HB Quimper cream pitcher.

A Porquier-Beau scènes bretonnes plate; the scene is entitled Ménétrier d’Audierne…a ménétrier is defined as a musician of village fêtes or celebrations.

An HB Quimper platter with broderie border.

Another centuries-old, wooden carving of a biniou-player.

An HR Quimper festonnée plate…festonnée means “scalloped” and refers to the undulated edge of the plate. Plates with edges this pronounced are sometimes said to have dents du loup...wolf's teeth.

Just as each region of Brittany had its own dialect and costume to set themselves apart, the musical instruments of each area had subtle and not so subtle differences…the binious from around Pont-l’Abbé had six holes, others had more, etc.

The bombarde is a specific form of oboe; some types are known as an hautbois in French.

Some Quimper faïence examples of bombarde players:

An Henriot box bordered in an unusual Celtic motif.

An HR Quimper plate with hand-curled edges.

An Henriot swan-form jardinière.

An HB Quimper vide-poche with broderie border.

This handsome bombarde player was painted on...

... this Henriot Quimper jardinière.

A biniou-form wall pocket vase features a bombarde player.

A home in Roscoff has a time-worn bombarde player carved in granite.

The sugar jar from an Henriot Quimper tea service.

An HR Quimper tulipière with eight openings.

An Henriot Quimper quintal or floral vase with five openings.

An HB Quimper vase, circa 1925, with the influence of Paul Fouillen demonstrated in the petit breton’s checkered pantaloons.

An Henriot sabot-form wall pocket vase in the ivoire corbeille pattern.

A rococo bannette signed HR Quimper.

The first Breton language mention of the two instruments dates from 1464, but the biniou and bombarde were actually in use there much earlier. They were not always so closely associated with each other, but by the beginning of the nineteenth century, the unique sound produced by the two instruments being played at the same time became so prevalent that it was almost as if the two became one. More a matter of one instrument being played by two musicians.

Sonerien is the Breton word for musicians and the more specific term couple refers to the combination of a biniou player and a bombarde player.

Traditionally, music was taught by the religious orders and the sisters saw that many of their blind charges received musical instruction in order that they may find some means of employment once they reached adulthood. One such person was a native of Quimperlé by the name of Matelin an Dall (1789-1859), who had been blinded by small pox when he was a toddler. He was a gifted musician and his virtuosity with the bombarde led to his playing for Louis-Phillipe in Paris and Napoleon III in Quimper. He is said to have played throughout Brittany at pardons and weddings, where, in a reported departure from the other musicians, he only drank milk.

As you can already tell, the celebration of music is nothing new to the Bretons…so it’s only natural that the potters of Quimper would have utilized music-related motifs.

This piece has a double musical motif…it’s a wall pocket in the form of a biniou decorated with a scene of a pair of strolling musicians…one playing the bombarde and the other, the biniou. The design for this particular motif originated with Camille Moreau when he worked for Jules Henriot during the time period of 1891-1895. After Moreau left the factory, the design remained the property of Henriot and it was used in the ensuing years.

Some versions are more painterly and others are more naive. Because vintage faïence was hand-crafted, each piece is slightly different…what looks like the same scene at first glance is never really quite exactly the same …with each piece having its own quirks and personality due to either the hand of the artist or the atmosphere in the kiln.

See for yourself…


An HR vase with chimèra handles.

An Henriot portecarte.

An Henriot tea pot.

An HR jardinière...

...also features the strolling musicians motif.

An Henriot rococo portecarte.

And, finally, this detail from a wedding procession depicted on an Henriot fish platter. As you can see, even though the motifs are the same, the rendering of each piece is different and thus, each has its own, unique qualities.

The same is true of the HB factory's musicians...


...this couple are featured on...

... an oval jardinière dating from circa 1885.

And this couple is featured on...

...a fan-shaped jardinière from the same era.

In the case of the two HB examples just shown, the pieces were both painted by the same artist.

The Porquier factory also produced pieces with scenes of musicians, like on this unusual jardinière…

…with a scene entitled Ménétrier de Gourin.

While most of the musical depictions may appear to be centered on the biniou and bombarde, other instruments are honored as well...

This accordion player for example…

...part of a figural group designed by Jim-Eugène Sévellec for the Henriot factory.

Off the subject just a wee bit and perhaps somewhat difficult to show online, as everyone’s computer is set differently, but I’ll try to illustrate a method that can be helpful when attempting to date vintage Quimper faïence...

...this HR fan-shaped vase dates from circa 1900; look closely at the hat worn by the petit Breton…

...in this early example, the areas of black glaze (magnesium) have brownish/violet colored tones. Compare it with this circa 1915 piece by the same factory…

…and you see that the hat on the latter, later piece is a more classic black. By itself, the brownish/violet characteristic is not a guarantee that a piece is from an early period, but it is a good indication that supports further investigation.

So, who are our favorite Breton musicians? Too many to name, as we enjoy the efforts of tried and true musicians as well as those of local neighborhood pick-up bands. Some of the better known groups that we enjoy include Bagad Kemper for a traditional sound, Sonerien Du for a bit of a rock ‘n’ roll flavor, and the David Pasquet Group for pure bombarde heaven.

Of course, where there’s music…

…there’s dancing…like in this lively scene on a Porquier-Beau platter.

When we are on one of our Brittany Shop ‘n’ Tours, the music is so infectious, that before you know it, we’re all joining in…we’ve had husbands who haven’t danced in thirty years jump up on their own acord and do the jabadao! Here’s a few music-related photos taken during some of our escapades…


A real life couple...it's like having a Quimper piece come to life!


A fest noz...evening celebration...in Audierne with music by Sonerien Du.

A plaque created by Pierre Toulhoat at the Kéraluc pottery displayed at the Musée Départemental Breton.

A biniou player wearing the traditional costume of Pont-l'Abbé.

A spontaneous trio of very young petite bretonnes show us ol' folks how it's done.

The David Pasquet Group performs in Quimper.

This is what we think we look like when we are out there dancing...in our dreams maybe!

The Robert Micheau-Vernez Quimper tile tableau at Quimper's railway station.

Eeeeek...I just looked at the time…get me writing about Brittany and I can go on forever! I’ll stop now because our fromagerie is due to close soon and it takes us a while to make up our mind when faced with choosing from among some 300+ options. Anyway, I hope this has given you an idea of the impact of music on the culture of Brittany and I will continue this discussion at a later date on our website.

Technically-challenged, I know there’s a way to sometimes embed links, but rather than fiddle with that...miserable musical pun intended...here are some links for you to cut and paste into your address bar. That way, you can sample some Breton music while we head off to ponder the many varieties of a solid food made from the thick part of milk.

For Sonerien Du:
http://www.youtube.com/watch?v=69jYCYvL8JQ&feature=related

For the David Pasquet Group :http://www.youtube.com/watch?v=DuLMJ1uuDXQ&feature=related

For Bagad Kemper…this clip brings to mind the origins of traditional Celtic music…to arouse and inspire as one sets off to battle…they are obviously not in any hurry to fight, as the clip is about fifteen and a half minutes long.
http://www.dailymotion.com/video/x6izt6_lorient-2008-bagad-kemper_music